It’s over 30 years after the release, but the H3000 is still found in countless studios across the world.
#Eventide h910 harmonizer studio Patch#
#Eventide h910 harmonizer studio full#
Swept Revere – A dense reverb with smooth sweep capability.Swept Combs – Six sweepable delay lines, with stereo panning.Reverse Shift – Backwards-talking pitch shift.Stereo Shift – Mono-compatible stereo pitch shifting (maintains stereo imaging).Layered Shift – Two pitch shifts from one input.
Dual Shift – Two separate pitch shifters.The H3000 was the first unit to offer true diatonic shifting or shifting that stays in key but other features include*: The H3000 could not have been more well received and It wasn’t long before every studio had an H3000 in their rack. With only 7 buttons, a jog wheel and number pad, finding and altering your favorite presets is quick and easy for even the most novice engineer. If you could design the most perfectly laid out effects unit, with what seems like unlimited capabilities, the H3000 would be it. The majority of the time there was one piece of hardware that did one specific effect. Up until that time every effect that anyone ever heard was produced through hardware. I think to truly grasp the full magnitude, you have to consider the time period during which it was released. This one major advancement inevitably leads to tools that are paramount to modern recording like Auto Tune, Melodyne, time stretching, etc. But what really makes it so special? Before this unit if you wanted to speed up time, you also had to speed up the pitch. Interestingly enough, the H910 Harmonizer was first used to speed up the dialog of older sitcoms, like I Love Lucy, without changing the pitch of the voice. In 1974 they developed the H910 Harmonizer, one of their most notable products, which was the first digital pitch shifting device. Their control room wasn’t big enough to fit a tape op so studio owner Steven Katz commissioned Richard Factor to create a device that would allow him to locate the tape to a specific time. In his letter he declared the H3000 "the best designed and most enjoyable effects unit ever."Įventide started out of the basement of the Sound Exchange, a recording studio located in midtown Manhattan. Not only did Brian Eno love his Eventide H3000, but he loved it so much that he took the time to actually write to Eventide to congratulate them on designing it. When one of the most influential and well regarded electronic musicians praises your effects unit as the best it should really hold some weight.